Would've composed slightly better - more striking, and more of the oddness of cows - if you'd moved to your left, giving clear gaps between the individuals.
A lower camera position, so that one or more of the subjects break the horizon, is always worth a try; especially when you have a 'false horizon' like the grass/trees boundary in your shot.
I'm not sure what the best colour treatment would be: UV filters are the limit of my ability here. If yoir editor package has an artificial UV sky filter, play with it a bit.
A final note: images with a natural division into three always make an interesting composition. Yours has one in a horizontal banding of grass-trees-sky, which always looks little odd and unsettling: great fun when the subject's looking straight at you, dead centre of the shot. Or vertically-centred. Or a cow.
no subject
A lower camera position, so that one or more of the subjects break the horizon, is always worth a try; especially when you have a 'false horizon' like the grass/trees boundary in your shot.
I'm not sure what the best colour treatment would be: UV filters are the limit of my ability here. If yoir editor package has an artificial UV sky filter, play with it a bit.
A final note: images with a natural division into three always make an interesting composition. Yours has one in a horizontal banding of grass-trees-sky, which always looks little odd and unsettling: great fun when the subject's looking straight at you, dead centre of the shot. Or vertically-centred. Or a cow.